Katrina Kaif Reveals What She Enjoys About Being a Punjabi Daughter-in-Law: 'Ghar Ka Bana Hua...'

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posted on 10 months ago — updated on 1 second ago

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Katrina Kaif's Merry Christmas was released on January 12. She is seen with Vijay Sethupathi and mystery thriller is getting positive response

Katrina Kaif is currently basking under the success of the recently released film Merry Christmas. The film has been getting positive responses from all corners. As per reports, the film earned Rs. 1.15 crores on its sixth day. Well, today Katrina conducted an Ask Me Anything session and was seen replying to fans’ questions.

One of them asked her ‘What u like about being Punjabi’s daughter-in-law?” On this, she replied, “Dher saara pyaar & ghar ka bana hua sarso da saag aur makki ki roti with white makhan.” During the session, she also replied to questions about her favourite food to cook. She said, ‘Khayali pulao’. The actress has been often asked about her changing eating habits after marriage. Katrina Kaif and Vicky Kaushal tied the knot in Rajasthan.

Take a look here:

Coming to Merry Christmas, according to Sacnilk.com, Merry Christmas earned Rs. 1.15 (early estimates) crores nett in India, across all languages, on the fourth day of its release. With this, the film’s total collection in India is now at Rs. 13.83 crores nett. The overall occupancy for the film was 9.30% for Hindi and 22.94% for Tamil. Theatres in Chennai and Hyderabad witnessed the highest footfall for Hindi while for Tamil, it was Pondicherry.

The film also stars Sanjay Kapoor, Vinay Pathak, Pratima Kannan, Tinnu Anand, Radhika Sarathkumar, Shanmugaraja, Kevin Jay Babu, Rajesh Williams, and Pari in key roles. Ashwini Kalsekar and Radhika Apte have also made cameos in the film. Merry Christmas is produced by Ramesh Taurani, Jaya Taurani, Sanjay Routray and Kewal Garg. The film is directed by Sriram Raghavan.

News18’s review of the film reads, “Based on Frédéric Dard’s Le Monte charge, there is nothing random in this slow-burn and structured crime drama that pans out against an intriguing interplay of sights and sounds. The film, an absolute treat for thriller aficionados who like the genre seasoned with wry wit, bears testimony to the director’s uncommon storytelling skills on the one hand and his abiding attachment to 1970s Hindi film music on the other. Just like his previous films, not only does BGM contribute significantly to the story’s impact, but it also actively advances it so full marks to Daniel B. George for a memorable background score.”